Film

Mirage of the Reflected

Directors

Kenneth Anger

Clive Barker

Luis Bunuel

Free download of Un Chien andalou (156MB) in MPEG format at UbuWeb
John Carpenter

Cohen Brothers

Roger Corman

Don Coscarelli

Guy Debord
See Ken Knabb's "Bureau of Public Secrets" pages:
Guy Debord's Films
Guy Debord's "The Society of the Spectacle"

See the "Not Bored" web page:
Screening of Guy Debord's film "The Society of the Spectacle" (includes text of the soundtrack translated into English by Keith Sanborn)

DVD of Society of the Spectacle available for $30 (USA) and $40 (outside USA) from:

Ediciones La Calavera
P.O. Box 1106
Peter Stuyvesant Station
New York, NY 10009
email

DVD (unknown region) of Society of the Spectacle available for 17.99 pounds + VAT at 17.5% at ArtWords

Free download of Society of the Spectacle (645.2 MB) in AVI format at UbuWeb
Free download of Refutation of All... (217.1 MB) in MPEG format at UbuWeb

Marcel Duchamp

Free download of Anemic Cinema (26 MB) in AVI format at UbuWeb

Fedrico Fellini

Fluxus (Various)

Free download of 37 Short Fluxus Films (2-141 MB) in MPEG format at UbuWeb
Terry Gilliam (member of Monty Python)

Isadore Isou

Free download of Venom and Eternity (389.5 MB) in MP4 format at UbuWeb
Terry Jones (member of Monty Python)

Stanley Kubrick

David Lynch

Dusan Makavejev
Directed and written by Dusan Makavejev, Winner of Luis Bunuel Prize, Cannes, 1971. English and Serbian with English subtitles.

"Cosmic rays streamed through our coupled bodies. We pulsated to the vibrations of the universe. But he couldn't bear it. He had to go one step further. Vladimir is a man of noble impetuousness, a man of high ambition, of immense energy... He's romantic, ascetic, a genuine Red Fascist!" -- Milena's character

"No excitment can ever equal the elemental force of the orgasm! That's why politics attracts those of us whose orgasm is sub-standard, defective, disturbed, or premature. Real men know how to live their lives without asking anyone's permission!  Sweet oblivion is the masses' demand! Deprive them of free love and they'll seize everything else! That led to revolution. It led to fascism and Doomsday! 'How Man Became a Giant' - Deuthschland uber Alles! The goose-stepping, mass-marching orgasm! The blood stream orgasm of the alcoholic or the junkie! The cerebral orgasm of dogmatic ore religious mystics! The muscular orgasm of compulsive workers, athletes, or artists!" -- Milena's character

That is the totality of sexism - an acceptance of the generalized sexual ghetto. Constricting sex to the crotch constricts life to the imaginary and the imaginationless. More sex, less sects.


Makavejev deftly juxtaposes the story of a sexual tryst between a liberated woman and a repressed Soviet figure skater with a politicized exploration of psychoanalyst Wilhelm Reich's controversial theories. "WR" can be taken to stand for either the analyst's initials or for World Revolution.

It shifts from a documentary on the work of Reich and the "orgys" in Maine to the NY counter-culture (Tuli Kupferberg) to the beautiful Milena Dravic as she advocates sexual freedom. She spends a night with a Russian "people's artist" (a Communist "model citizen" ice-skater) who decapitates her with an ice skate rather than subject his "red fascism" to his terror of orgasm without the pornography of a platform or uniform.

Makavejev describes it as "a black comedy, political circus, a fantasy on the fascism and communism of human bodies, the political life of human genitals, a proclamation of the pornographic essence of any system of authority and power over others...If you watch for more than five minutes, you become my accomplice."

It is a "fantasy on the fascism and communism of human bodies, the political life of the genitals, a proclamation of the pornographic essence of any system of authority and power over others...."

"Closely following Marx, Reich declares, 'every social order creates those character forms which it needs for its preservation. In class society, the ruling class secures its position with the aid of education and the institution of the family, by making its ideology the ruling ideology of all members of the society.' To this Reich adds the following: 'it is not merely a matter of imposing ideologies, attitudes and concepts.... Rather it is a matter of a deep-reaching process in each new generation, of the formation of a psychic structure which corresponds to the existing social order in all strata of the population.'"
from Wilhelm Reich's Character Analysis, translated by T.P. Wolfe (NY, 1970), XXLL. Found in Bertell Ollman's Social and Sexual Revolution: Essays on Marx and Reich (page 165)
"'The ideology of every social formation has the function not only of reflecting the economic processes of this society, but also and more significantly of embedding this economic process into the psychic structures of the people who make up the society. Man is subject to the conditions of his existence in a twofold way: directly through the immediate influence of his economic and social position, and indirectly by means of the ideological structure of the society. His psychic structure, in other words, is forced to develop a contradiction corresponding the contradiction between the influence exercised by his material position and the influence exercised by the ideological structure of society.... his thinking and acting must be just as contradictory as the society from which they derive.'"
from Wilhelm Reich's The Mass Psychology of Fascism (1970, p.18)
Film links:
See also:
Authoritarian Conditioning, Sexual Repression, and The Irrational in Politics - by Maurice Brinton
"Brinton argues that our political perceptions have been conditioned by social and sexual patterns to reinforce the dominant ideology, which results in both a need for authority and an inhibition of autonomous thought."
(Wilhelm) Reich and Sex-Pol
So - the film? Well worth the time!  Shows the fear of Reich's analysis by Left, Center, and Right politics (power's hierarchy), of the Nazi eviction from his home country, the expulsion by the communsit parties, his essential murder (with book-burnings) in the U.S., and the "black satire" of those elements that pervade everywhere today.

Availability: Facets Video, 1517 W. Fullerton Avenue, Chicago, Illinois 60614 USA. VHS around $20.

Man Ray

Free download of Emak Bakia (313.8 MB) in MPEG format at UbuWeb
Free download of Le Retour a la raison (46.2 MB) in MPEG format at UbuWeb
Free download of L'Etoile de mer (277.4 MB) in MPEG format at UbuWeb

Hans Richter

Free download of Rhythm 21 (Quicktime - 6.5 MB; Realplayer - 1.9 MB) at UbuWeb

Keith Sanborn email

Harry Smith

Rene Vienet

  • Can Dialectics Break Bricks? (Rene Vienet and Geard Cohen; 1973; 90 minutes; in French)
"Directed" by the French situationist Rene Vienet, this film is an exercise in intellectual absurdity. A Hong Kong martial arts movie overdubbed with French political diatribes and philosophies, designed to entertain and amuse, while proving a number of artistic and political points.

The "story" details the epic battle between the proletariats and the bureaucracy, with a martial arts school as the utopian commune. Filled with amazingly absurd humor and political satire that will make you feel all intellectual inside, it’s an amazing combination of near slapstick comedy and Godardian experimentation. In many ways it seems that Vienet was trying to make some very important statements, such as the way cinema feeds ideology and his intense anger over the sad failure of socialism. It is also considered the only remaining film vision of the situationist's technique, détournement - the diversion of already existing cultural elements to new subversive purposes. But overall, this comes off as a kind of Mystery Science Theatre for fans of Guy Debord and Wilhelm Reich.

Review: "Claims to be the first detourned movie. Replaces the original soundtrack of a martial arts film with a situationist-inspired dialogue."
Availability: 5minutesToLive
- $20
Synopsis: Keith Sanborn

Can Dialectics Break Bricks? videotape, 90 minutes, black and white, subtitled, full sound. $20 for American and $25 for International orders from:
Not Bored
P.O. Box 1115
Stuyvesant Station
New York, NY 10009-9998
USA

NotBored email
Can Dialectics Break Bricks? NTSC VHS available for $30 (USA) and $40 (outside USA) from:

Ediciones La Calavera
P.O. Box 1106
Peter Stuyvesant Station
New York, NY 10009
USA
Keith Sanborn email

John Waters

"John Waters is the pope of trash" - William Burroughs

Gil J. Wolman

See the "Not Bored" web pages:
The Anticoncept: Cinematochronic Argument for a Physical Phase of the Arts - by Gil J. Wolman
The Anticoncept of the Anticoncept - by Gil J. Wolman

L'Anticoncept videotape, 60 minutes, black and white, not subtitled, full sound. $20 for American and $25 for International orders:
Info@notbored.org
POB 1115, Stuyvesant Station, New York City 10009-9998

Frank Zappa

       

Released: December 15, 1965
Director/Producer: Tim Sullivan
Length: 78 min
Format: B&W
Screenplay: Don Cerveris (Frank Zappa's high school English teacher)

Cast:

Gary Kent (as Ritt Hagen)
Mercedes McCambridge (as Nell Hagen)
Allen Richards (as Kirby Hagen)
Linda Gaye Scott (as Julianne)
Jesse Bates
John 'Bud' Cardos
Brian Casey
Tom Cloud
Chuck Cooper
Doug Cooper
Leah Cooper
Keith Goodwin
Neysa Holveck
Jim Logan
Jeff Masters
Pat Raines
Original music: Frank Zappa
Cinematography: Lewis Guinn
Production Design: John 'Bud' Cardos
Film Editing: John Winfield
Sound mixer: Ken Carlson
Sound boom operator: Bob Dietz
Director of lighting: Stanton Fox

Zucker Brothers

Miscellaneous

Note: Cronin was an associate of Ken Knabb, et al in Berkeley, CA USA; his works can be found in a perusal of the Bureau of Public Secrets site as well as in the indices of A Situiationist Biography and Not Bored!.
Review: 'A documentary expounding the ideas of Guy Debord in 'The Society of the Spectacle".'
Availability: Video Data Bank
Q: "Why do they come here?"
A: "Because it's where they came when they were alive?"

Hudson:  "I hate to rain on your parade, but we just got our asses kicked...."
Hudson:  "Then let's put her in charge."
Hudson:  "We're fucked now."
Hudson:  "Game over."

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